Bounce Flash – Why You Should Be Doing It!
No flash, on-camera flash, bounce flash? Which is best? I think you know the answer. Bouncing your flash leads to gorgeous, diffused lighting that brings out the best in whoever or whatever you’re photographing. It’s easy to do and you’ll love the results. Bounce flash is a technique every photographer should be using as a matter of course. Find out why you should be doing it.
What Is Bounce Flash?
When you bounce your flash, you avoid pointing it directly at your subject, instead bouncing the light off a ceiling or nearby wall to produce soft, gorgeous lighting that adequately illuminates the scene or people you’re photographing. The main objective of bounce lighting is to soften the light source. It is also a great way to control your lighting.
Bouncing the light off a ceiling incorporates it as part of the light source, filling in the shadows, detailing the highlights, and producing a flattering catch light in the subject’s eyes. Bounce flash is especially useful when shooting indoors in low-light, and will better enable you to properly light your subject in challenging lighting situations.
Light, that is aimed directly at a person, will be harsh, with unnecessary shadows. It also doesn’t give that coveted three-dimensional look all photographers hope to achieve. It’s easy to bounce you’re flash so there’s really no reason not to make this technique your modus operandi.
What Is Soft Lighting
Soft lighting is indirect lighting, that is created by diffusion. The outcome is a gradual transition from light to dark with no hard shadows. Light that is bounced, is light that wraps itself around the subject, with the edges of the shadows being open and soft.
The closer the light source is to the subject, the softer the light becomes. Also, the larger the light source, the softer the light will be. If you want dreamy, low-contrast lighting, place a large light source fairly close to your subject.
On the hand, the further away and smaller the light source, the harder the light will be. There’s a place for this type of lighting, and is applicable when you want well-defined shadows, with a sharp transition between the shadows and the highlights. It’s also good if your aim is to convey a mood that depends on high contrast.
Transform hard lighting into soft lighting by diffusing it. This can be done with soft boxes, umbrellas, reflectors, and by bouncing the light. The picture below is a great example of indirect, soft lighting that has been bounced.
Bounce Flash Photography Tips
Take into account these tips next time you want to bounce your flash:
- Look for walls and ceilings that are white or light in color. Light-colored surfaces are reflective, whereas, dark-colored walls absorb the light.
- The goal is to have light reach your subjects’ faces so be sure to bounce your light accordingly. Many people associate bounce flash as light that is bounced off a ceiling. While this is true, you can also take advantage of light that is more directional in nature. In this case, you would want to bounce your light off an adjacent wall, by pointing your flash to the side. You can even tilt your flash slightly behind you, and off to one side, to get creative with your lighting.
- Use a higher ISO to assure the scene you’re photographing is adequately lit. If you’re in a darkly-lit wedding hall, for example, you’ll have to make the call whether to bump up your ISO, in order to expose correctly, or deal with the resulting grain.
- Increase exposure by a stop or two depending on the particular lighting conditions you’re shooting in. Using a wide aperature will allow you to bring in more ambient light, which may be necessary, and is especially helpful when photographing light subjects with dark backgrounds.
- Drag your shutter speed to take further advantage of the ambient light, especially when the majority of the light is coming from your flash. Your photos will look more natural. However, if you want a high-key photo, with more contrast, opt for a faster shutter speed and less ambient light.
- Use your flash in manual mode. I find I get the most control over my flash when I use it in manual mode. You can also use TTL, which is an automatic mode where the camera decides how much light is emitted. TTL stands for “through the lens,” and connects your flash to your camera via the lens. This allows the camera to control the flash. Keep in mind, using manual mode won’t drain your battery as fast, and gives you the most control in terms of lighting output.
What You Will Need
While off-camera lighting is amazing, it’s often not convenient. Photographing an all-day wedding, where you’ll be shooting in a variety of locations, is a perfect example. This is where a portable light source, such as bounce flash, comes in handy.
You’ll need a speedlight, with a swivel head, that screws onto the hot shoe of your camera. A tilting head that moves back and forth, and up and down, will allow you to bounce your flash off walls, as well as the ceiling. This is the speedlight I’ve been using for years. It’s a total workhorse. And here’s one for all you Nikon users. I also use Gary Fong’s collapsible speed mount lightsphere in certain situations. It’s amazing for gently dispersing the light and softening shadows, and since it’s a soft-bodied dome, it’s easily collapsible for easy storage. This one’s compatible with Nikon speedlights.
Key Points To Remember
Bounced lighting is soft, diffused, indirect lighting that is great for minimizing shadows, and producing flattering, natural-looking light. You’ll need an on-camera flash, at the very least, and perhaps a diffuser. Set your flash to manual mode or TTL, using light-colored walls and ceilings to bounce your light. Like any new technique, there’s a bit of a learning curve, but gradually you’ll love the results you get from bouncing your flash. Flash photography never looked so good!
Do you use bounce flash? Can you offer additional tips and tricks. Please leave a question or comment below to get the conversation started.